Bond’s description of Goodnight’s car in The Man With The Golden Gun is a hilariously unique insult to a car’s aesthetic. I personally don’t see the resemblance, but Bond’s annoyance with Goodnight’s interference in his surveillance of Andrea Anders probably gave him some excremental thoughts. Maybe the car’s dull shade of green/tan/brown contributed as well?
April 29, 2026 – 10:07 AM UTC
Despite perceived fan fatigue on social media about discussing Bond 26 as a 1960s period piece, the appeal is hard to ignore. Simplicity gets my vote for the Bond movie, and few eras lend themselves to that better than the original decade of espionage cool. With No Time To Die leaving the franchise at a…
